The Vilppu Animal Drawing Manual by Glenn V. Vilppu

By Glenn V. Vilppu

# writer: Vilppu Studio & Vilppu LLC (2007)
# ASIN: B002MBQ78E

"This is admittedly the pre-publication, draft model of this handbook for these of you who've been inquiring for this. For these of you who've the sooner Xerox model, this has been revised for extra readability of the photographs. This merchandise isn't really slated for final touch past draft shape at this element in time."

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Extra resources for The Vilppu Animal Drawing Manual

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And Chaplin, S. (1977). Visual Culture. Manchester University Press. Wollheim, R. (1971). Art and Its Objects. Harper and Row. Wollheim, R. (1974). On Art and the Mind. Harvard University Press. 25 CHAPTER 2 PLAY, QUICKNESS AND FESTINA LENTE Play is far from being only a child’s game. James Hans believes that play is central to living, and he writes of inorganic, organic, and human play. Inorganic and organic objects have a part to play in the world, even if it is a small part. Even a rock plays, although it may wait centuries to become actively involved.

Rendered with a soft medium such as chalk or pastel crayons, the cemetery follows the slope of a hillside. The grave stones appear to emerge out of a mist as their tops are articulated with ink, while the lower portions disappear into what seems to be foliage. The central figure is indistinct in scale as it could be as large as a church or as small as a mausoleum. When asked to comment about the sketch, Predock describes the shift in scale: ‘[a]t a distance, a city with an amazing miniaturizing shift of scale at close range’.

Colin St. John Wilson, in his article on play, discusses the function of aesthetic play in acquiring knowledge: Hans-Georg Gadamer has given an extended philosophical treatment of the structuring role of aesthetic play resulting in a form of knowledge…And just as for Aquinas and the Schoolmen, art was that which draws out the particular clarity of something, ‘the beauty of intelligibility’. (St. John Wilson, 1986: 17) Similarly, broken rules often allow designers to perceive more possibilities.

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