The Playbook: Suit up. Score chicks. Be awesome. by Barney Stinson, Matt Kuhn

By Barney Stinson, Matt Kuhn

Because the sunrise of background guy has hunted for the reply to the main basic of questions: “Why am I the following . . . now not banging chicks?” the quest is over. Now, with the aid of The Playbook, you’ll be capable of process any attractive lady, observe her innermost ardour, and use that to trick her into sound asleep with you. You’ll grasp greater than seventy five seduction innovations, constructed by way of pickup guru and all-around sturdy man Barney Stinson, sure to flip you right into a bona fide ladies’ guy.

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I’m not sure what it was about this song that caught my attention—the obscure, angelic object of desire does not, for instance, have my name, as in “Bobby’s Girl” (and “girl group rock,” as Greil Marcus calls it, was mostly about “The Boy”4), but I’m pretty sure sex, however sublimated and prepubescent, had something to do with it. I can also distinctly remember watching Shelly Fabares sing “Johnny Angel” on an episode of The Donna Reed Show (ABC, 1958–66), a program—like The Patty Duke Show (ABC, 1963–66)—that was de rigueur or must-see TV at the time.

Though I spent hours gazing at the cover, Elvis one face in a sea of famous faces, the song that kept haunting me, déjà vu all over again, was “Lucy in the Sky with Diamonds”: with its surreal lyrics and trippy melody, it sounded like nothing I had ever heard before. For some reason, perhaps the color of the back cover, I always associate it with the color red, the color of revolutionaries, and Sgt. Pepper’s, vinyl turning round and round on the turntable, turned me upside down, transporting me, like LSD later, to another, phantasmagoric world.

As her own pop-culture-studded repartee suggests (Mia has already established that there is a pronounced, generational difference between Elvis and Beatles fans), Jack Rabbit Slim’s is a pop-culture diorama, recollecting the sort of “googy” clubs featured in ‘60s cult films like Speedway (1968), a film that itself featured Elvis and Nancy Sinatra. Indeed, with its Douglas Sirk steaks and Martin-and-Lewis milkshakes, not to mention its manqué Sullivan maitre d’ (in real life, to quote Vince, “a wax museum with a pulse”), Jack Rabbit Slim’s is a miniature version of Pulp Fiction, a virtual treasure trove of mass-cultural kitsch and bric-a-brac.

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