By Carl Macek
Carl Macek, the fellow who introduced the ROBOTECH phenomenon to the U.S., tells the tale of THE SENTINELS, the tv sequence that used to be to take over the place ROBOTECH left off. this is not just the tale of what occurred to the sequence, yet a wealth of technical info and a behind-the-scenes examine how lively sequence are produced. it's a must-read publication for a person drawn to animation in addition to for lovers of the ROBOTECH sequence.
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Extra resources for Robotech art 3: the sentinels
36. , 99–100. 37. David Black, Law in Film: Resonance and Representation (Urbana: University of Illinois Press, 1999). 38. , 2. 39. Ibid. 40. , 56. 24 SARAT, DOUGLAS, AND UMPHREY 41. , 34. 42. Anthony Chase, Movies on Trial: The Legal System on the Silver Screen (New York: The New Press, 2002), xii. 43. , xiii. 44. , xix. 45. , xiii. 46. , 31. 47. , 181. 48. ” 58. 49. , 66. 50. Ibid. 51. , 69. 52. , 46. part i Studies of Representation This page intentionally left blank Cinematic Judgment and Jurisprudence: A Woman’s Memory, Recovery, and Justice in a Post-Traumatic Society (A Study of Polanski’s Death and the Maiden) orit kamir .
Why should one invest in reading films as popular jurisprudential texts? Why explore the judging acts they perform and analyze the social values they constitute for their viewers? One answer is that films are overwhelmingly influential, playing a key role in the construction of individuals and groups in contemporary societies. They reach enormous audiences and, combining narrative and appealing characters with visual imagery and technological achievements, stir deep emotions and leave deep impressions.
Anthony Chase, Movies on Trial: The Legal System on the Silver Screen (New York: The New Press, 2002), xii. 43. , xiii. 44. , xix. 45. , xiii. 46. , 31. 47. , 181. 48. ” 58. 49. , 66. 50. Ibid. 51. , 69. 52. , 46. part i Studies of Representation This page intentionally left blank Cinematic Judgment and Jurisprudence: A Woman’s Memory, Recovery, and Justice in a Post-Traumatic Society (A Study of Polanski’s Death and the Maiden) orit kamir . . how much to acknowledge, whether to punish and how to recover —Martha Minow Introduction Law and Film This chapter’s reading of a feature film demonstrates one type of work facilitated by the developing new field of “law and film,” which this edited collection purports to introduce.