By Amber Garr
Occasionally following your middle can turn out destroying those you like. while seventeen-year-old Eviana Dumahl is confronted with the accountability of an prepared marriage and extended family management, she is compelled to choose from the existence required of a mermaid and one in every of a teenage woman easily infatuated with the incorrect man. Kain, her committed fiancé, might make an excellent husband other than that she’s been in love with Brendan, a shape-shifting selkie, ever for the reason that they have been childrens. making a choice on to desert her relatives, her extended family, and her lifestyles with Kain could have dire outcomes some distance past something she may have imagined. A struggle is brewing among the clans and Eviana unwittingly turns into a pawn within the difficult schemes of a twisted mastermind. With Brendan’s existence at the line, she has no selection yet to contain these she as soon as thought of neighbors. Amidst encountering mindless tragedies and tremendous loss, Eviana discovers that she is extra necessary as a extended family chief than somebody ever suspected. Her survival is not just established upon the loyalty of her neighbors, but additionally on her reputation of a lifestyles she so adamantly attempted to flee. grants is the 1st booklet of The Syrenka sequence trilogy following Eviana and her associates in the course of the perils of transforming into up in a discrete global that inherently threatens human society.
Read Online or Download Promises (Syrenka, Book 1) PDF
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Extra resources for Promises (Syrenka, Book 1)
A fourth-century colossal head of Asklepios was found in a cave on Melos, which also contained a statue base and figurines of Hygieia, as well as a votive bone inscribed with the names ofboth. 23 In Athens there was a sacrifice for Asklepios and Hygieia on the day of the Dissoteria. 24 Votive thank offerings are commonly dedicated to the pair. This is not to argue that Hygieia's importance is equal to that of Asklepios-on the contrary, her cult is almost entirely dependent on his. The point is that while we think of Asklepios as an individual healing figure, the experience of the person actually participating in the cult would have been of a pair or a family group.
These scenes, of course, lack such heroic attributes as snake, horse, and armor. 59 54 55 ICONOGRAPHY A N D HEROIC CULT Heroines in Votive Reliefs Heroines in Votive Reliefs In general, then, the "hero feast" is not shown on vases, and even the stereotypical scene of the banqueting "husband-wife" pair is avoided. A striking exception to this rule is a cup by the Kodros painter, dated 450-425. 60 It shows five divine couples in the familiar banqueting pose. In the central position are Persephone and Pluto, who holds a large cornucopia, the symbol of his ability to grant abundance.
2 The shape of the relief itself is significant; sepulchral reliefs are usually stelai, tall and relatively narrow, while votive reliefs for gods or heroes, including the Totenmahl reliefs, are oblong and wide, often intended to fit into the wall of a shrine. 3 Inscriptions on Totenmahl and other heroic reliefs are rare, suggesting that they generally were not used to commemorate the recently dead. Moreover, the few inscriptions we have show quite clearly that 42 43 Heroines in Votive Reliefs Heroines in Votive Reliefs the Totenmahl reliefs were dedicated primarily to heroes, and sometimes to deities with similar cults, such as chthonic Dionysos, Zeus Meilichios or Philios, and Asklepios.