No Safety in Numbers (No Safety in Numbers, Book 1) by Dayna Lorentz

By Dayna Lorentz

Whilst an odd gadget is came across within the air ducts of a hectic suburban mall, the whole complicated is abruptly locked down. nobody can depart. not anyone is familiar with what's going on.

At first, there's the newness of being caught in a mega mall with loose meals and a present certificates. yet with each one passing day, it turns into tougher to disregard the dwindling provides, insufficient info, and mounting panic.

Then humans begin getting sick.

Told from the perspective of 2 men and ladies, it is a harrowing examine what can take place less than the main determined of situations, while normal everyone is confronted with very unlikely offerings. a few upward thrust to the party. a few don't.

And for a few - it's too past due.

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Extra info for No Safety in Numbers (No Safety in Numbers, Book 1)

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An old-fashioned viral sneak attack isn't going to stop this customer for long, but I've got a trick up my sleeve. He won't know what hit him. He won't know he's been hit at all. He comes back three seconds later, with new encryption patterns, as expected. He connects right through the I-Link firewall where he did before and right into my trap, a nice little piece of ice I wrote called Ship-in-a-Bottle. The ice gives me a window inside and I can watch him. The intruder jacks into an environment that looks exactly like the I-Link inside net.

Com. Cover Artist: Timothy Lantz. com. Cover Designer: Kaitlin Porter. Flying Pen Press Science Fiction is an imprint of Flying Pen Press LLC 5491 E. Jewell Ave. com All Flying Pen Press titles, imprints, and distributed lines are available at special quantity discounts for bulk purchases for sales promotion, premiums, fund raising, educational or institutional use. Looking Glass story copyright ®©2007,2008 James R. Strickland Looking Glass compilation copyright ®©2007 Flying Pen Press LLC Sound and Fury cover art copyright ®©2006 Timothy Lantz All rights reserved.

And of course, you can order it in the more traditional format, that artifact of paper, glue, and ink, from a fine bookstore near you. How the story gets delivered to you is now distinct from the story itself, and you can choose the form that makes the most sense for the way you live. No matter what format you choose, though, or even if you’re reading this a hundred years from now, or a thousand years from now, with technology that doesn’t involve eyeballs or even neurons, this is a book. This is a story.

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