Mickey Spillane on Screen: A Complete Study of the by Max Allan Collins, James L. Traylor

By Max Allan Collins, James L. Traylor

Within the mid-20th century, Mickey Spillane was once the feeling of not only secret fiction yet publishing itself. the extent of intercourse and violence in his Mike Hammer thrillers (starting with I, The Jury in 1947) broke down long-held taboos and engendered a close to hysterical serious backlash. still, Spillane's impact has been felt--reflections of Hammer are seen in approximately each next difficult man of fiction and picture, together with James Bond, soiled Harry, Shaft, Billy Jack, and Jack Bauer. Spillane's fiction got here to the monitor in a chain of movies that come with Kiss Me lethal (1955) and the woman Hunters (1963) with the writer himself taking part in his inner most eye. those motion pictures, and tv sequence starring Darren McGavin and Stacy Keach respectively, are tested in a full of life, an expert model via Spillane specialists. integrated are forged and group listings, short biographical entries on key people, and a long interview with Spillane.

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Extra info for Mickey Spillane on Screen: A Complete Study of the Television and Film Adaptations

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Back again is “I, the Jury” femme fatale Peggie Castle, this time in a positive role as the mysterious “Venus” who may or may not be the missing Vera West. A solid cast features Charles Coburn as the banker who befriends his former, disgraced clerk, and Gene Evans (on apparent loan-out from Sam Fuller’s stock company) plays Servo, a gleefully malevolent casino boss. He and heavy-set Bruno Ve Sota make a memorable pair of over-the-top hoodlums who seem to have walked right out of a Spillane novel.

Saville set aside his previous offer and matched Columbia’s. “If Spillane had stuck to my original proposal,” Saville claimed, “he would have made half a million dollars as his share of the first two pictures. ” This indicates Saville’s intention of using the then popular 3-D process for all four Spillane novels whose screen rights he had acquired. But the 3-D fad fizzled before any subsequent Spillane films could be shot in that manner, and “I, the Jury” itself was screened in many theaters by way of standard “flat” two-dimensional prints.

Elliot sounds as if he’s out of breath, but it could be just the beginning of the notorious Hammer rage. Within the first five minutes, another major Spillane character appears—the rain. ” The private eye is on his way to visit Jack’s girlfriend, Myrna, a torch singer at a Greenwich Village club. Jack has saved her from drug addiction. ” He hears her scream as he leaves, Waxman’s score echoing it with a tenor sax. ” Mike knows that Pat is using him as bait, because the cop really doesn’t know who the killer is yet.

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