By Walt Stanchfield, Don Hahn
Author note: Don Hahn (Editor)
Publish 12 months note: First released March twenty third 2009
Volume 1 of 2
It positive aspects illustrations from a number of the best animators on this planet together with Brad Bird.
Published for the 1st time ever, Drawn to Life is a quantity choice of the mythical lectures from long-time Disney animator Walt Stanchfield. For over two decades, Walt helped breathe lifestyles into the recent golden age of animation with those teachings on the Walt Disney Animation Studios and stimulated such gifted artists as Tim Burton, Brad chook, Glen Keane, and John Lasseter.
These writings signify the essential refresher for positive artists and movie pros, and it's a important educational for college students who're now poised to join one other new iteration within the artwork form.
Written through Walt Stanchfield (1919-2000), who started paintings for the Walt Disney Studios within the Nineteen Fifties. His paintings may be visible in motion pictures like drowsing good looks, The Jungle ebook, one hundred and one Dalmatians, and Peter Pan.
Edited by way of Academy Award®-nominated manufacturer Don Hahn, who has prduced such vintage Disney motion pictures as good looks and the Beast and The Lion King.
Read Online or Download Drawn to Life: 20 Golden Years of Disney Master Classes (The Walt Stanchfield Lectures, Volume 1) PDF
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Extra resources for Drawn to Life: 20 Golden Years of Disney Master Classes (The Walt Stanchfield Lectures, Volume 1)
When body parts bend, they form folds at the inner bending area and produce pulling wrinkles as they radiate from the outer bending area. When the body is in less action, the garments show fewer folds and wrinkles. In this case, just draw a few strokes at the joint areas to define where the joints are for a more realistic impression. When drawing garments, be aware of several factors. Realize that collars, especially high ones, go around the neck even though the back of the collar is not visible; collars must stay on top of the shoulder-slope lines.
Performance-major students take period movement and dialogue courses that are designed to allow their bodies and voices to adapt to roles in a period production. Costume designers should create suitable body frames for characters that will accent garments for that period and produce believable characters that will enhance the costume design. Head-to-toe figures in three-quarter-view poses are usually the best for presenting expressive costumes because they show front, side, and partial-back views.
The inner side of the forearm starts just below the elbow bending line. ) Contouring the Legs and Feet When contouring the legs and feet, refer to Figure 1-35. The curved V-shaped line at the front of the crotch is where the leg muscles start. Use curved lines to draw the thigh and the lower leg, and use straight lines for the knee area. The thigh portion is thicker and fuller than the lower leg; the knee area contains less muscle. The lower leg tapers down to the ankle; the calves are full and firm, and the bottom of the calf line ends at the halfway point of the lower leg.